despite its boring cover, HOW ROME FELL is a very tightly-written, evocative account of the fall of the first 'superpower' as Goldworthy subtitles his work. starting with Marcus Aurelius giving way to his disappointing and gladiatorial-games obsessed son, Commodus, a subject matter the topic of the famous Russell Crowe movie GLADIATOR, we plunge straight into the crisis of the Third Century, where the Praetorian Guard auctioned the throne and at times three or more emperors vied for legitimacy. then fourth century begins a period of some renewed stability... and more I won't write for hesitancy over the spoiler.
decent rather than gripping, Specialist Michael Anthony was a Combat Support Medic for a year in Iraq, and if the true military memoir reader is looking for combat, combat, combat, to that degree we have no dramatic-clearing of insurgent-held city blocks, we have no Willie Peet dripped on a particularly troublesome compound, we have little or no tank/helicopter action, just casualty casualty casualty, rear-echelon messup rear-echlon messup rear-echelon messup
Bruce Feiler did an unimpressive, even boring take on teaching JHS in Japan, but then spent a year with a traveling circus. In between, he finished a master's in international relations at Cambridge. In short, three memoirs of one or two years each. And three bestsellers, according to the cover, but minimal support here on GR.
Bruce Feiler spent two years in Japan and came out with [b:Learning to Bow|260944|Learning to Bow Inside the Heart of Japan|Bruce Feiler|https://d202m5krfqbpi5.cloudfront.net/books/1348650685s/260944.jpg|2536303], where paradoxically his attempts to gain dignity unknowingly made a fool of himself. The reader can figure out when Feiler is being scorned, but it's not entirely clear he knows it, then or at time of writing. Contradictorily, Feiler sets out in this book to be a clown but ends up capturing some surprising dignity of the circus life, which is a cultural phenom on the decline but still maintaining a hold on American culture.
It's said in art you are better off charmingly put-together, whatever your flaws, than brilliantly analytical and totally referenced. This seems to be the case for this 150,000 ratings non-fiction, particularly in comparison to Howard Zinn's People's History of the US which I picked up with this work. Both are leftists, both are driving an agenda, but Schlosser is mixing together disgust and sentiment and straight narration. He's created a blockbuster.
Murray Leinster's 1934 novella classic "Sidewise in Time" has apparently more or less disappeared from the earth (7 GR ratings). Maybe that's ironically appropriate, as the work takes as it's start point a "time quake", in so many words, where different pieces of alternate earths end up parked next to each other--- thus, roman legions attack a early dodge at one point, and Vikings in north america might meet Chinese berry pickers in another. The result is obviously lots of cinematic like scenes, and a lot of Sci-fi writers pay homage to this work.
A person writes a famous trilogy, launches a celebrated literary and non-fiction career, and then thirty years later, when he is in his sixties, adds a fourth volume, reopening the spigot to yet another sequel and then a pair of prequels. Has this ever happened before? The closest example I can think of Lord of the Rings with Similarillon tho' I don't know of any multi decade hiatus. Maybe Dune spread out over years?
In September 1938, a hurricane began forming in the Atlantic and then suddenly accelerated up the Eastern Seaboard to hit New England. 700 people died and thousands of homes were destroyed, but today, almost nobody remembers it because WW2 intervened. Perhaps the most vivid and poignant scene are the teenage girls in bobby socks and skirts giggling as the wind takes hold of their skirts, completely unaware that the 90s teenager will be listening to Eminem and sleeping with half a dozen boys before graduation.
STRATFOR is a political think tank that gained prominence after Anonymous hacked its servers and spewed out its exceedingly boring dossiers onto the uncaring public. Its director, George Friedman, also wrote a book called THE NEXT 100 YEARS which contained such fantastic prediction as that in the year 2060, Japanese schoolgirl ninjas and Polish Space Marines would build a giant moon laser and sunburn half of the USA. One tends to wonder a bit how these scenarios get created, although it's probably all clever disinformation. Yeah, actually maybe STRATFOR really does run the world (as the tin foil crowd believes), they're just feigning absurdity.
Radio shock jock Howard Stern tends to divide opinion--people either rave or hate. But I am part of the rare percentage of middle-grounders. No part of this book made me laugh out loud, but I rarely fully lost interest. Similarly, although I am not agog with hero-worship at the perhaps five minutes total I've heard/seen of his clips, at the same time I understand it takes intelligence and talent to produce five hours of talk radio a day. 4/5 not for the easily offended. Shock humor.
John Keegan probably wants to repudiate this book, written in 2004, and filled with a muscular and enthusiastic defense of the Iraq War. keegan stops just short of calling the French cheese-eating surrender monkeys and he chastises the BBC for its nervousness about invasion. All in all, we have a near period piece of 2004 attitudes and expectations, but of course, this is all still written by a skilled and distinguished military historian and thus highly readable. 4/5 for writing, 3/5 for accuracy
Falling between the war memoir and the special forces history, THE ONLY THING WORTH DYING FOR covers the infiltration of Hamid Karzai and eleven US Army Special Forces operatives into Afghanistan. Unfortunately, the work suffers from the same handicap as the mission: as everything is political, the soldiers can't engage without an OK from Washington, and much time is spent drinking tea with Kazakhs rather than fighting. And while escorting Karzai is a decent and worthy mission, there's just far less contact in mountainous Afghanistan than urbanized Iraq. Even some of the Kosovo memoirs seem more intense
A creation of a crack marketing team, Stephen Ambrose is one of those rare authors whose name appears in larger font than the book in question. Unfortunately, the snowball has accumulated far too much mass to be stopped: this relatively weak work, which appears to be 80% a homage to George McGovern, fails to capture ordinary rankers' experiences, and drops short of truly evocativeness and descriptivesness. The entire work, in other words, is about one senior politician's ww2 exploits, probably largely fictionalized, and IT IS NOT Band of Brothers in the sky
GOODBYE, DARKNESS deserves its legendary reputation of WW2Pacific memoirs. Its tall, ectomorphic New England scion narrator turns down OCS and battles as a Marine across the Pacific. His is a narrative filled with sexual kinks but also stern unflinching reality. The action is intense and searing, and the level of detail that of a personal observer.
"Around the world in 80 days," was written in the 1870s. Wow. I am floored. A year of life is so long, it's almost beyond a human brain to think of 140 years of the passage of time. So much of 19th century fic, moreover, is full of intensely ornate, highly agglutinized sentences. The people, finally, tend to be stiff, neurasthenic, and boring. And yet, this adventure book is perfectly readable.
Recommended as "one of the top Vietnam War memoirs" (I think actually by a UK newspaper, possibly by a UK war writer), GUNS UP! is a sort of full-blooded, full-throated war memoir that follows a Marine ranker and his best friend, Andrew Chan, a Chinese-American, who are both machine gun operators and summoned by the call "Guns up!" when their platoon makes contact.